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Showing posts with label brown and navy. Show all posts
Showing posts with label brown and navy. Show all posts

Saturday, 10 October 2015

The holeliness of the wool Alaia Paris dress

Mel Kobayashi in Alaia Paris vintage dress, Bag and a Beret

First stop. I seem to have stepped into this painting by Jeff Depner I found hanging at Nordstrom. My Alaia Paris navy and brown belted wool dress took me there. Too bad you can't hear the music in my head that accompanies this vintage vibe. 
Mel Kobayashi in Alaia Paris vintage dress, Bag and a Beret

The dress came from Anne of SpyGirl at the blogger meetup clothing swap in July and it's cool enough now to wear. Thank you, Anne! As a trash rescue, she pointed out the detailing made by moths, unsure what I would think. Well, that's what black underwear and coats are for! Greetje, No Fear of Fashion, has a great shot of this dress from the meetup here, scroll down. 

Next stop. I decided to take my party into the lobby of Hotel Georgia, which is also home to the speakeasy Prohibition. Dear me, looks like I was the only one who showed up! Passersby threw money into my toolbox handbag and afterwards I went and bought bread pudding.

Mel Kobayashi parties in Hotel Georgia lobby

I prefer this dress backwards because the belt creates two little scallop shapes below the waistline at the front which I find visually interesting. And the collar is higher in reverse. Having the snap closure on my back is tricky but nothing a little contortionism and mastery of curse words can't handle. The photo below shows how the dress was designed to look from the front.

Alaia Paris vintage brown and navy wool dress with belt

Detail of fabric wrapping, and moth holes on my shoulder. The brown swath of fabric is sewn onto the "front" of the dress, wraps around to criss-cross at the rear, and finally belts at the front. Ruching where the belt attaches to the fabric provides lovely structural detail. 

Final stop. Concrete studio for Zoolandering.

Zoolandering on Bag and a Beret

I always try to mend holes in my clothes because: 1) upkeep prevents further destruction, and 2) socially, holes are almost pathologically unacceptable, unless they are put there deliberately by a designer. Given this dress's fairly extensive damage and precise structural design, I decided to go with camouflage. 

Do any of you pro sewists have mending ideas for sprays of tiny moth holes in fine wool knits?

No matter what, you can't keep a good dress down! This dress may be frail but it still looks great, feels great, and fuels my imagination - WINNER. What about you? What do you do with your wrinkles holes? Trash, repair or camouflage?


Finally, this is a new ring O made for me. Steel and ruby. 
He doesn't use lost wax; he machines each piece.
To add visual interest he used a black finish and a brushed metal finish. 
The ruby is held in place with a tension mount. 
With so little surface contact, when the sun hits this ruby just right, 
it looks like an LED light. 
I'm not wearing the ring in these photos because it wasn't finished yet.

That's all. I guess it's Thanksgiving. Eat! EAT!! EEEAAT!!

I'll link this up on Sunday with Patti and her excellent Not Dead Yet Style party, Visible Monday


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