From the boudoir to the garden with huge honkin' plants. The leaves seem to embrace me, clearly unable to resist my vintage neon hot-pink robe by "Rhapsody of California made by Glazier," a phrase which must be said aloud with a haughty drawl each time I don this luxurious furry confection. I also memorably worn my Rhapsody when Shelley came to town in May 2016, post is here.
"I am One with the Big Leaves" Photo by @vancouverbarbara
Now and with Shelley I was surrounded by big green vegetation wearing the Rhapsody. Are there strange forces at work with this robe - beyond its general fabulousness - that I don't know about?! Could this robe be opening some warped telepathic channel to our Jurassic herbal past!? Now I'm afraid to say the label name backwards. Who knows what would happen?
Shelley (Forest City Fashionista) and I goof around while feeling fabulous
The blouse is a chartreuse-y colour, very silky, with huge gathered sleeves, of course not visible here because they were smooshed in my robe. And I wore this awesome stretch floral maxi skirt and super-soft stretch leather booties, both from My Sister's Closet at one time or another.
But oh no! Do you see it? The huge honkin' camel nose? What are the odds? Giant leaves. Giant camel nose. And camel without the "ca" spells mel. Gaaaa!
Not only that, the nose's brand is - dah-dah-dummm - "totem." Is my spirit animal a camel nose? A Jurassic camel nose? Whoa, things are getting out of hand here.
In its undercover life, this is a mere courier bag. The long body strap is an upcycled seat belt, and the short handle on the flap is also seat-belt strapping. My laptop fits perfectly in there. Clever, right? Nothing suspicious there.
Of course I wore my magic loupe, which O made me. I never leave home without it. If you want to get louped like me, use the link in my sidebar to go to his Etsy store, OSK Micro-art Studio. His cool rings are there too.
...put on a little faux-French, which also required flattening my hair. This dress might be considered dour, drab, matronly or simply gross if it weren't for its extreme boxiness, which elevates it to the level of haute couture faux-French. Boxiness is a sure sign of $$$.
The dress came from My Sister's Closet. The bottom skirt half, with a single knife pleat on one side, a pocket on the other, and five gold buttons, is picky wool, and the top half is another kind of wool, yes, also itchy, but that's part of the iron discipline one may require to wear haute faux-French, n'est-ce pas?
I think this dress was made from two vintage pieces sewn together. There are no labels or notions, except for the buttons, to research. I bought another very similar dress a few months before this one. The top half looks hand-knit, black wool, and the bottom half is dove-grey Crimplene. Dreamy. But I think I'll upcycle it into a coat. I'll show you later.
I carried my toolbox hand bag, swiped from O after he removed the height gauge, opaque black tights, narrow men's pointy shoes in taupe/brown - they are much pointier than the picture above suggests. And I took my teacup carrier made from a wooden matryoshka. The sunglasses are Lagerfeld, darling, a gift.
I'm going to link up with Patti at Not Dead Yet Style, Visible Monday, and Catherine at Not Dressed as Lamb, #iwillwearwhatilike.
See youse guys later!! Get back to work!! Heh.